I didn’t practice guitar at all in the middle of the week; I can’t quite remember why in retrospect, other than that I was a little busy and was spending some time practicing piano for the recital. Which is going okay; I still don’t like the arrangement of the Vivaldi pieces, but I’ll do a competent job at one of them and may get good enough to do a competent job at the other.
I did play a bunch of Rocksmith this weekend, though; my Japanese teacher had to cancel this week’s lesson, which freed up a noticeable amount of time. The game is still throwing an exclusive diet of DLC at me; I think that will change soon (it’s frequently asking me to get 90,000 points, which isn’t too out-of-line with where I was on the on-disc content), but I’ve been thinking that for a while, so who knows. Fortunately, I like all the DLC I got; I wish I weren’t seeing the same pieces quite so frequently, but I can deal with that. (And I’m on the edge of thinking it’s a bit of an overdose of Rush, but I can deal with that, too!)
Last week, I alleged that Rock Band 3 throws more chord variations at you during London Calling than Rocksmith does; I played through that song today, and I now no longer think that’s the case, I think it’s actually throwing the same chords at you, just on different strings. Interesting seeing the difference. (There’s definitely a difference in More Than a Feeling, though.)
I’ve played enough events now to unlock all the guitars, which prompted the game to give me a bit of a graduation speech. So I decided to look at the achievements; I had all the non-bass ones except for two that I can get any time I want and the ones for the games. I used that as an excuse to give most of the games a try; I got the achievements on the games for scales and chords, the other games will take more work. I’m still not a huge fan of the games, but they’re mostly teaching useful skills, so I’ll probably try to nibble away at those? (I seem to be in an achievement completionist mode these days: I’m working on getting all of the achievements in Mark of the Ninja, too.) I haven’t yet unlocked all of the pedals and tones; I assume the latter drives the former, and I’ll get the latter as I keep on progressing through the on-disc content.
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