I played a decent amount of Rock Band this weekend. I finished the Tier 1 songs on the current Pro Guitar run; Get Free would be a good candidate to add to the rotation from a didactic point of view, but it’s enough not my style that I’m skipping it, and Antibodies and Du Hast are probably my two least favorite songs on the disk! The beginnings of Tier 2 are better, though—I think I’ll add both London Calling and 20th Century Boy to the rotation. (Though, if I’m remembering correctly, the hardest bit of London Calling causes the console to freeze up if I try to learn it in practice mode, so that could be interesting…) The practice list is getting pretty long now, with a fair variety of what I think of as slightly nonstandard chords in it; that seems good for me, and if that means that I spend most of my time practicing the same songs and only a little bit of time trying out new songs, I’m perfectly fine with that.

I also went through all of the songs I’d bought with a keyboard part that I hadn’t yet tried on Pro Keys. Which was mostly songs from Rock Band Blitz, though there were a few other one-offs there. Nothing too stunning to report there, though it was generally a pleasant enough experience.

I had a pretty big backlog of recently-purchased DLC that I hadn’t gone through the Pro Keys on (36 songs, it turned out), so I went through all of those on Friday and Saturday. The main takeaways from that are that Huey Lewis and the News are fun on keys and that, if I want to go for a Pro Keys streak, Private Eyes is a good candidate: it’s very repetitive and there’s no chord transition in it that I should miss. Which didn’t mean that I actually succeeded at full comboing it, and in fact my longest streak, 495, was 5 short of what I needed for the in-game achievement, but still, at least now I know about it if I want to go for that.

After last week’s experience, I decided to try adding Good Girl to the practice rotation. Which I was pretty rusty on, so I went back to practice one repeated single-note bit and the solo. The former of which is quite manageable; the latter is actually within my grasp, though it will take me a while to get there. So I think it should stay in the rotation, it’s a good choice for me.

And then I tried my first Tier 5 songs. Continuing the Huey Lewis theme from earlier in the week: The Power of Love turned out to be surprisingly fun on guitar. An easyish but pleasant two-note chord bit that I enjoyed moving around on, a more bluesy bits with chords that are less familiar but that I’m starting to get used to, and even the solo seemed potentially within reach. So I’m thinking I might actually add that one to the practice regime, though the solo in particular will sound bad for a while.

The other song I tried was Saturday Night’s Alright for Fighting. Which was fast with a bit of sliding around: nothing individually seemed that hard, but it was too fast for me, enough so that I didn’t get three stars at it. I’m fairly sure I could get three stars without too much more work, but I’m reaching my limit, and this didn’t seem like a song worth pushing it on. So for now I’m leaving it as is and moving on; in the unlikely event that I make it through three stars on all or almost all the other Tier 5 songs then I’ll come back and get the third star on this one, but for now I’m thinking that’s not the best use of my time.

I’d been meaning to go through the Yes DLC pack last week, but I got kind of distracted; I went back to that this week, finishing the remaining four songs on Pro Keys. Owner of a Lonely Heart was pleasant but slight, and its keyboard part was pretty boring; Starship Trooper’s keyboard part was harder and only a little more interesting, but the song itself was pleasantly bizarre enough that I was happy to play it. South Side of the Sky had a more satisfying keyboard part, and did okay on the “pleasantly bizarre” front; Heart of the Sunrise was my least favorite of the four.

After that, Liesl and I grabbed microphones, and sung through those songs; Miranda wandered down at some point and joined us as well. I can imagine Owner of a Lonely Heart being in the vocal rotation fairly often; the other songs were quite a bit on the long side. Miranda dropped out then, but Liesl and I kept on going; we must have sung for about two and a half hours? Our high point was reaching 24th place on the leaderboard for Viva La Resistance: we often rank well on DLC, but that’s the first time we’ve done anything like that on on-disc content. Which, in its own way, is sad, a sign that Rock Band 3 has overshot most of its audience: we did a credible job, but not a perfect one, so I think it must be the case that not many people are doing harmonies. At any rate, if we’re going to rank well on one of the songs, I’m happy for it to be Viva La Resistance, because “Your theocratic neofascist ideology / is only getting in the way of my biology” is my favorite lyric on the disc.

On Sunday, I put in my Pro Guitar practice. I finished the last three Moderate songs: This Bastard’s Life was fun, but the chord transitions were a bit too hard for me (though figuring out what was going on with three-note fragments of chords was interesting), The Killing Moon was useful practice in switching between A and E barre chords on the same fret and had surprisingly fun solos, and Heart of Glass was kind of meh. And then I did the first three Challenging songs, Everybody Wants to Rule the World, Something Bigger, Something Brighter, and Lasso; nothing too exciting there, and I didn’t feel like it was a particular step-up in difficulty. I was glad to have finished six songs, though, and my left hand was letting me know that it felt that I’d put in quite enough practice!

I had Monday off from work, and Liesl and Miranda were out in the morning, so I decided to spend the time doing solo vocals. Mainly going through London Calling: I’d gone through that on the different instruments, but while Liesl and I had sung some of the individual songs, I’d never gone through them all at once. And I’m very glad I did that: the lyrics are amazing, the music is very good, and my chest voice needs the practice. After that, I went through fifteen or twenty on-disc songs, checking off several of the goals in the progress. (I’m now in the top 1% for fan count, with 415 million; also a sad sign of how the game has done, because you only have to be in around the top 5000 people to be in the top 1% of that metric.)

Very pleasant week, in particular I’m quite happy to be finding time for both Pro Guitar and to do Vocal Harmonies with Liesl. Not sure that I’ll finish Hard Pro Guitar in 2011, but if not, it shouldn’t take me too far into 2012 before I move up to Expert.

I spent a decent amount of time in the middle of the week playing through music outside of Rock Band. On the guitar, I continue to try to learn 風の丘, and that continues to be like pulling teeth. But I am doing a slightly better idea at seeing the chords in the piece; I’m also using it as an excuse to learn how to play an E minor scale on the guitar, though that’s not well enough ingrained to have any effect on my playing of the piece yet. And I’ve been playing piano some, mostly the first five parts of Pictures at an Exhibition. Which, it turns out, Miranda rather likes; I’m toying with the idea of trying to learn more of the piece, not sure which way that will go yet.

On Saturday, I decided to go through some of the Yes DLC on Rock Band. I got side-tracked, though, because when I sorted the keyboard songs by artist, the first artist was A-Ha, and I decided to go through Take On Me first. Which turned out to be super fun, albeit slightly frustrating: catchy tune to play on keys, and there’s no individual note in it that I should miss, so why can’t I get five stars on it? I don’t know, and I tried over and over again, but failed; grr, except I had enough fun in the process that I didn’t really mind.

After doing that for most of an hour, I decided to switch over to vocals; also super fun, and it turns out that the top note in the song (which shows up several times) is also the top note in my vocal range. Which, honestly, made me glad nobody else was in the house at the time—to hit it, I really had to belt out the note, and while I was in tune, my timbre was less than wonderful. Still, a nice exercise in stretching my range, I should return to the song and practice it some more. In fact, it turns out that the bottom notes in the song are either right at or right below the bottom of my vocal range, so it’s great for stretching in both directions!

After that, I did move over to Yes, going through I’ve Seen All Good People. Which was also extremely entertaining, on both keys and singing. I did rather better on the keys that time, not making nearly as many stupid mistakes; Liesl was home by then, so we did harmonies when it came time to sing, and I managed to hit harmonies beneath the lead several times, which I’m normally pretty bad at. Not sure if I’m getting better or if the increased separation between the vocal parts helped; I won’t complain either way.

Today was a guitar day. I’d had Modern Love running through my head constantly since last week, so I decided to make it my inaugural Pro Guitar upgrade purchase. And I’m happy with that decision: simple chords coming slowly enough to make the transitions fairly straightforward, but there’s definitely something satisfying in playing a fun piece that I should be able to do well on and actually doing well.

After that, I went back to the on-disc content, going through Viva La Resistance, The Look, Walk of Life, and One-Armed Scissor. All of which but the last I like quite a bit, and even the last one was interesting from a didactic point of view. As were several of the earlier ones: e.g. the repeated notes in Viva La Resistance were a useful thing for me to work on. (Great song that, too.) I played through all but the last of those songs (including Modern Love) plugged into the amp, and they actually all sounded pretty credible: nobody is going to confuse me with a serious rock guitarist yet (not by a long shot!), but at least I didn’t feel that I had to apologize to everybody in earshot for any of those four songs, as happens sometimes.

(The one weird thing about playing unmuted: I’m surprisingly bad at tuning guitars. You’d think that, given that I had a part-time job tuning harpsichords while I was in high school, that I’d be better at that? For whatever reason, though, I have a somewhat hard time hearing the beats when testing a plucked guitar string against the sound of a piano; maybe I’d do better if I plugged the guitar into the amp and skipped the piano?)

Very pleasant week musically; and I strongly suspect that this week’s earworm will be Take On Me, which I’m okay with. (Though I don’t like it as much as Modern Love; hmm, maybe I’ll try to convince my brain to obsess over Viva La Resistance instead?) I should be able to finish the Moderate songs this week; I still have at least a couple of months of Hard Pro Guitar ahead of me, but the end is visible in the hazy distance?

This week’s VGHVI game was Rock Band 3, with a Billy Joel focus. Four of us were there, and none of us were in the mood to play drums (I would have except for, you know, Billy Joel), so we had to split into two pairs; a real shame that the game doesn’t allow online Guitar + Bass + Keys groupings. I certainly enjoyed playing with Sarah Elmaleh (me on Pro Keys, her on Bass), though! Aside from the pleasure of playing through the music, I had my sights set on achieving score goals by playing through Captain Jack, since it contains a bunch of repetitive chords that it’s easy to get a good multiple on. And achieve score goals we did: we managed to get 1.39 million points, with just the two of us! (Sarah is obviously a quite credible bassist.) Makes me wonder how well we could score on that with a four-person band; I’d have to think 2 million at least, but probably noticeably more.

Eventually, Roger bowed out, and we’d made it through enough Billy Joel, so Jonathan came over to join our band and I switched to vocals. Which was also fun (I’m enjoying singing these days a lot more than I used to); my favorite bit there was that I got 100% for the first time on non-harmony vocals (I do harmonies most of the time), and the song in question was Blondie’s Heart of Glass. Yay for singing in falsetto!

I also spent a fair amount of time this week trying to memorize 風の丘 (from Kiki’s Delivery Service) on the guitar. Which is a lovely song, and I quite enjoy playing it, but it’s like pulling teeth. Enough so that I’ll probably write about it on my main blog, so I won’t go into details here.

On Saturday, Miranda and I went violin shopping: she’s moving up to a full-sized violin. Nice to have an excuse for me to play violin, so she could hear differences between instruments and bows when somebody other than her was playing; I’m a pretty mediocre violinist (though still much better than I am at guitar), but at least I’m good enough to be not completely useless as an example.

On Thursday, I realized that I’d somehow missed playing through three of the Billy Joel songs on Pro Keys; not sure how that happened, but I fixed that lapse on Saturday. Good stuff, as always. And then today I went through three more songs on Hard Pro Guitar; we’re definitely getting to a level where my lack of skills are showing. On two of the three pieces, I only managed two stars on my first playthrough (and this was after spending a good amount of time on training mode); while I got three stars on both eventually, I’m not reliably hitting the chord transitions, especially ones that mix barre and non-barre chords. Don’t get me wrong, I’m a lot better at that than I was a few months ago, but there’s clearly room for improvement, and I imagine my progress will slow down further as songs get harder.

Despite my difficulties, those three songs were a lot of fun; I only stopped when I did because we needed to make dinner fairly soon and because each song takes quite a while to go through on training mode and then play it several times. But we had a little bit of time left, so Liesl and I went through five or six songs on Vocal Harmonies. Which was super fun: like I said above, I’m enjoying singing more and more these days, especially when singing with Liesl. My favorite song today was Modern Love, both because I really like it and because I can hit the harmonies pretty solidly on that; the other highlight was trying Expert difficulty and finding that we could actually do fine at that level. In fact, we got gold stars on one of the songs; I think Expert vocals must be easier in this iteration of the game than previous ones, though I’m sure the fact that we were both trying to sing the non-harmony bits helped as well.

Good times; I’m still not sure why I’ve been on a musical binge for most of the last month, but I’m not complaining at all.

This weekend was an interesting one: I was going through a manic bit, and it expressed itself by making me feel very musical, in a scattered fashion. After the previous weekend, I’d bought some Billy Joel sheet music, so as soon as everybody else was awake I went through that on the piano. (With occasional singing and whistling.) Then, to work off some energy, I switched over to Rock Band drums; I was pleased to be able to make it through the Warmup songs on Expert, and while Killing Loneliness defeated me on the next tier, it has the rhythm pattern that I need to work on (regular yellow notes with red and pedal alternating, the latter on the off-beats). So I’ll probably return to that one the next time I’m in a drumming mood, it’s definitely good practice. Also, inspired by Kirk’s comment on the Experience Points Podcast, I gave Vaseline a try; a pleasant challenge on Hard but not quite as good for me to focus on as Killing Loneliness, and way too hard for me on Expert.

After that, Liesl and I did some vocal harmonies; and I put in my Pro Guitar practice, going through (I think) another four songs there. Also, that evening, we went through some recent DLC (me on non-pro Guitar, Liesl on Bass); mostly Yes, which I wasn’t thrilled by, though I’m hoping I’ll like it more on Pro Keys.

We had friends over on Sunday, so I didn’t play any Rock Band that day; I did find time to bang out some Ghibli music on the piano, though. On which note, later that week the song 風の丘 got stuck in my head via the excellent Brasta Ghibli album; it wasn’t in my piano book, but I found a quite nice guitar version, so I’m trying to learn that now.

Last weekend I was pretty busy, so no Rock Band. This week, though was different: it was a three-day weekend with no plans outside the house, so I got in some playing every day!

On Saturday, I tried out a few more of the Expert Pro Guitar training lessons. Without a lot of success in general, though I think the alternating strumming ones should be doable and will be useful practice for me. And I went through three songs; I don’t remember the details, but I did enjoy the Doors one. (Not one of the on-disc songs, it was part of the free launch DLC.)

On Sunday, I decided to work through more of the Billy Joel DLC on Pro Keys. And that was super fun: I don’t think that Pro Keys stands up to Pro Guitar in general, but playing through Billy Joel can be pretty amazing. I’m not sure how many songs I went through on Sunday—maybe six or seven?—but I was very glad to have taken a guitar break and gone through those. Liesl started singing along, and that sounded like fun, so we ended up going through some of them on vocals once I was done practicing the keyboards; it turns out that his vocal range even matches mine pretty well! (Though I didn’t get to sing in falsetto as much as I prefer…)

I had two Billy Joel songs left after Sunday, so I went through those two today. And they were both quite something in their own way: Scenes from an Italian Restaurant has a couple of sections that are pretty ridiculous, but the song as a whole was a good deal of fun. (At least when I was getting the timing right on the off-beat chords—that song would be rather different with two hands, one of which was actually playing on the beat…) And She’s Always a Woman was one arpeggiated chord after another, which turned into quite an experience: the structure is there, just a bit harder to see because of the arpeggios than it would otherwise be, and revealing that structure in my playing felt great.

So I am now a complete Billy Joel convert. I’ll stop by a local music store on the way home from work tomorrow to see if I can pick up some sheet music, because I’d like to go through that on a real piano. And the singing was fun, too: I should spend more time doing that than I have been over the last year. Maybe Liesl and I will go through the harmonies for the on-disc Rock Band 3 content?

On Saturday, I mostly played through Pro Keys stuff: going through the keyboard parts of a bunch of random DLC (of which the highlight was Take On Me) and several Billy Joel songs. I’m playing each of the latter songs a few times (including going through training mode on them), but I’m not treating them nearly as seriously as the on-disc content, so in particular I have quite a lot of room for improvement on The Entertainer. Still, fun stuff, and (unsurprisingly) Piano Man is great.

I also did a bit of Pro Guitar training: going through a few of the most complex Hard lessons again (I got 100% on the hardest barre chord lesson the first time through!), and doing the Expert lesson on seventh chords for the first time. Which I’m glad I did, even though seventh chords aren’t showing up in game for me yet, I expect I’ll try out more of the Expert lessons.

Today, I went through four songs on Pro Guitar. (All Hard Apprentice.) I would have done more, but I’m not feeling so great, and playing guitar requires a fair amount of concentration. Also, one of the ways in which I’m not feeling great is that I wrenched my back earlier this week; the down side of playing guitar is that I need to sit upright, which makes it hard to keep the heating pad against it, but the up side is that it means that I have to sit in a good posture, which is useful!

Fun stuff, generally. I enjoyed playing Whip It, and did a good job on it. Rock Lobster had way too many fast notes for me to do well on it: clearly that’s something I need to work on. It doesn’t help that I’m still very bad at upstrumming; now that my playing of barre chords isn’t a complete disaster, maybe I should spend time out-of-game working on alternating picking?

Fly Like an Eagle was interesting because it had some hammer-ons in it and, unlike last time, they sounded great! Well, at least some of them did, but any progress is welcome. And I enjoyed playing Walking on the Sun with the mute on, but when I unmuted and plugged it in, it sounded awful, I’m pretty sure Hard is leaving out some important notes.

Not as much progress as I would have liked; then again, given how I’m feeling this weekend, I’m glad I managed to practice at all.

Whenever new Rock Band DLC comes out, I give it a listen, and buy it if it looks like fun to play. The problem is that I don’t actually get around to playing it, so I had a bunch stacked up. So on Saturday night, Liesl and I went through that (on regular guitar/bass respectively); not much to report, though I am a bit embarrassed to report that the two songs that I got 100% on were Paparazzi and Tubthumping…

Today, I put in my Pro Guitar practice. I went through some of the harder training sections again: it’s no longer a surprise when I make it through those, but it’s not yet so routine that I’m not learning something. I may dip into the Expert lessons in an upcoming week: I’m sure that many of those are beyond me, but there might be some that are worth trying, and I would like to learn about alternate tunings.

After that I went through three songs. The main takeaway from Good Vibrations is that I can’t strum nearly fast enough: I could mostly keep up with that one, but I got the impression that Expert will be noticeably harder on that song, and it’s only Apprentice level!

Outer Space was rather interesting: like Yoshimi, it has a lot of chord strumming, with a bit less repetition of individual chords this time but with more variations in the chords themselves. In particular, G chords in the song had you playing the third fret on the B string, which I’m a little less used to but which makes for a pleasant transition coming out of a D chord, since you can leave your ring finger in the same place. Also, in the last of a sequence of G chords, they frequently dropped the bottom string down to an F#, which took a while to get used to but which sounded good once I got it right. (I appreciate the hint of polyphony instead of chords or single notes.) Eventually, I got to where I could get to a 4x multiplier on that song, which I was rather proud of; coming out of that chord success, I went back to try Yoshimi again, and I’m still not very good on that song, though.

The third song I went through was Break on Through (To the Other Side). That’s the first song with Hammer On / Pull Offs; I could play them reliably with the mute on, but when I plugged in the guitar, they were barely audible. So clearly I need to work on my technique there, to make them a lot crisper.

Playing through my DLC backlog reminded me that I had a bunch of Billy Joel DLC that I hadn’t gone through seriously on Pro Keys, so I decided to start chipping away on that instead of continuing with Pro Guitar. Which was a good idea: I’d forgotten how big his first DLC pack was, and I had 18 songs waiting for me!

Of which I made it through a grand total of two. In Captain Jack, I scored over 700,000 points, which wasn’t enough to put me in the top 1%; lots of chords in that song! I made enough mistakes that it looked like it’s possible to make over a million points on that song, which a look at the leaderboard confirms; the leaderboard also shows that I’m in 42nd place, I guess not that many people have played it. The other one I tried was I Go to Extremes, which was rather harder, I spent more than an hour on that song alone and there was still room for improvement at the end.

I don’t think my Pro Keys skills have slipped too much, at least, but I have another 16 Billy Joel songs to go, and there’s some non-Billy Joel DLC with keyboard parts that I should give a try on as well. So I’ll probably be trying to find time for both Pro Guitar and Pro Keys for the next month or two.

After last week, I only had one song left to play on Expert Pro Keys, namely Roundabout; today, I finished it.

I finished Roundabout!

It was one of two songs that I hadn’t successfully played on Expert at all before I started this project; and there’s definitely a reason why it’s the last song in the track listing. When I first gave it a try today, I failed out somewhere around the 20% mark, when I hit some fast arpeggios; I then went into training mode and found that, the last time I’d trained on that piece, I’d successfully completed a grand total of one of the fifteen sections. I did better in training mode this time, but still: there’s a lot of hard stuff in that piece.

Still, I do seem to be getting better: after playing them a few times, I could actually manage the arpeggios in question reliably enough that my health bar increased when I was done with them rather than decreased, and I frequently hit a 4x multiplier at some point in the middle of them. I haven’t gone back and checked, but I’m pretty sure that those arpeggios are noticeably slower than the ones in Antibodies; still, they’re plenty fast, and I also get the feeling that my hand is getting better at maintaining an even rhythm in sections like that, meaning that I’m less scared of fast arpeggios than I used to be.

So I was feeling pretty happy with myself: I made it through the first 40% of the piece, and then a nice easy bit hits, where I can build up overdrive. And then, at around 53% into the piece, I hit another section of arpeggios: these ones were a lot harder than the previous ones, and, adding insult to injury, they hadn’t showed up at all in training mode! I’m not sure why they were omitted from training mode: while it is admittedly the case that you could include almost every measure of this piece in training mode, and at 15 sections, training mode was already long enough, it still seems a bit odd to leave out the hardest section of the entire piece.

I was almost ready to give up when that happened: I’d done well so far, but I was hitting my limit. Still, I figured I’d go through the piece a few times on no fail mode, just to see what it was like. And, with a bit of practice, I could make it to the hard spot with full health and full overdrive quite reliably; unfortunately, even full overdrive wasn’t long enough to make it through the hard section. But, when I turned off no-fail mode and then continued when I failed out, I was tantalizingly close to making it through that section!

And, after giving it a few more tries, it was pretty clear how to proceed. That section in question was difficult, but not evenly so: the early parts were merely super hard (as hard or harder than anything else on the disc!) while the latter parts were almost impossible without quite a bit more detailed study (and I’d have to master them without the help of training mode). So my best strategy was to survive as long as possible without overdrive: if I could make it a third of the way into the section in question before turning on overdrive, I’d have a fighting chance of making it through the whole thing with overdrive. The part after the crazy arpeggios ended was no picnic, either, but it was clearly within my capabilities, and I could use training mode to help me there.

So I went with that; after another couple of playthroughs, I could feel myself getting a bit better, and a few more attempts after that, I made it through the hard section. I was nervous / hyped up enough that I didn’t make it all the way through the piece—like I said, it’s no walk in the park even after that section—but at that point it was clear to me that I could make it through, with the appropriate strategic overdrive usage. (This is the only piece that I have to pick my overdrive spots based on survival rather than points!) And, a lunch break and several more attempts later, I finally succeeded.

At which point I declared victory, rather than trying to refine my score further. I like the piece, and I’m actually really hoping that more Yes appears as DLC, but I’d been playing it over and over again for the last several hours: enough is enough.

So now my tour through the on-disc content is done. I’ve actually slipped a few spots since last time: my score only went up a bit (from 10,620,581 points to 10,654,949 points), but other people have improved more than I have. So I guess 30th place was my high-water mark; I’m happy with that.

I'm at rank 33 with 10,654,959 points

I still plan to spend a little more time with Pro Keys: I haven’t put serious effort into the Billy Joel DLC yet, and apparently we’ll be getting more of his songs next week! There’s probably other keyboard DLC worth playing as well, I’ll give it a spin. But clearly I want to focus on Pro Guitar now: getting done with the Pro Keys on-disc content now is very good timing.