Rock Band Status: November 20, 2011

On Saturday, I finished off some lose ends: I did the Expert Vocals hall of fame challenge, as well as a couple of other random challenges. (What a Diva! and the Rock Band 1 one.) The only hard bit in the hall of fame challenge was Good Vibrations, which manages to be both above and below my range, but there were more than enough other songs that fit into my range (though I did shift Rainbow in the Dark up an octave) to make up for that.

My throat was feeling pretty raw from drainage, so instead of singing with Liesl after that, I decided to switch over to Pro Guitar. And I felt like I’d run into a brick wall there, I just couldn’t do anything. Only when I was at dinner did it dawn on me: I’d probably left the difficulty at Expert, so no wonder I couldn’t play the songs!

And, indeed, when I came back the next day, that proved to be the case, and they were all much more tractable on Hard. Free Bird was quite a lot of fun, and could be good practice for scales; Rainbow in the Dark isn’t my type of music at all, but I enjoyed the repeated bit rather more than I expected. Caught in a Mosh is probably my least favorite song on disc—I’d been thinking that Du Hast had that honor, but now I’ve changed my mind. (Though even there I enjoyed the fingering challenges outside the solo.) And Crazy Train was interesting because it took me four tries to get the third star: there’s one repeated sequence with unusual chords where I kept on either missing the fingering or playing the wrong strings.

Satisfying week, and only four songs left to go: I’ll finish that over the long weekend with room to spare. Which means that it’s time to think about what to do once I finish Hard Pro Guitar.

As to making music outside of the game: my plan of record has been to try to practice alternating strumming, 風の丘, and the Three-Part Ricercar from the Musical Offering every day. I’ve been doing the alternating strumming rather reliably; it’s amazing how much a difference just putting in a couple of minutes a day makes. I haven’t been working on the Three-Part Ricercar every day, but more than enough to make a difference: in fact, now it’s getting to a state where my fingers generally do a quite good job of getting the notes right, so I need to switch from what to play over to how to play. Not so easy, for the first time in ages I wish I had a teacher to help me with that. Still, I’ll keep on working on it for a while, and then probably switch to something else on the piano.

風の丘, however, is not going so well. I enjoy playing it, but I’m finding it surprisingly hard to memorize; I could probably succeed at that, but I really would need to practice it every day to do so, and I’m not making the time for that. And, upon reflection, I’m happy enough with that decision: I’d rather spend that time focusing on improving my piano playing. Also, as I move up to Expert Pro Guitar, I’ll have many more opportunities to focus on really learning individual songs on the guitar. So: it’s been fun, but time to move on.