On Saturday, I mostly played through Pro Keys stuff: going through the keyboard parts of a bunch of random DLC (of which the highlight was Take On Me) and several Billy Joel songs. I’m playing each of the latter songs a few times (including going through training mode on them), but I’m not treating them nearly as seriously as the on-disc content, so in particular I have quite a lot of room for improvement on The Entertainer. Still, fun stuff, and (unsurprisingly) Piano Man is great.

I also did a bit of Pro Guitar training: going through a few of the most complex Hard lessons again (I got 100% on the hardest barre chord lesson the first time through!), and doing the Expert lesson on seventh chords for the first time. Which I’m glad I did, even though seventh chords aren’t showing up in game for me yet, I expect I’ll try out more of the Expert lessons.

Today, I went through four songs on Pro Guitar. (All Hard Apprentice.) I would have done more, but I’m not feeling so great, and playing guitar requires a fair amount of concentration. Also, one of the ways in which I’m not feeling great is that I wrenched my back earlier this week; the down side of playing guitar is that I need to sit upright, which makes it hard to keep the heating pad against it, but the up side is that it means that I have to sit in a good posture, which is useful!

Fun stuff, generally. I enjoyed playing Whip It, and did a good job on it. Rock Lobster had way too many fast notes for me to do well on it: clearly that’s something I need to work on. It doesn’t help that I’m still very bad at upstrumming; now that my playing of barre chords isn’t a complete disaster, maybe I should spend time out-of-game working on alternating picking?

Fly Like an Eagle was interesting because it had some hammer-ons in it and, unlike last time, they sounded great! Well, at least some of them did, but any progress is welcome. And I enjoyed playing Walking on the Sun with the mute on, but when I unmuted and plugged it in, it sounded awful, I’m pretty sure Hard is leaving out some important notes.

Not as much progress as I would have liked; then again, given how I’m feeling this weekend, I’m glad I managed to practice at all.

Whenever new Rock Band DLC comes out, I give it a listen, and buy it if it looks like fun to play. The problem is that I don’t actually get around to playing it, so I had a bunch stacked up. So on Saturday night, Liesl and I went through that (on regular guitar/bass respectively); not much to report, though I am a bit embarrassed to report that the two songs that I got 100% on were Paparazzi and Tubthumping…

Today, I put in my Pro Guitar practice. I went through some of the harder training sections again: it’s no longer a surprise when I make it through those, but it’s not yet so routine that I’m not learning something. I may dip into the Expert lessons in an upcoming week: I’m sure that many of those are beyond me, but there might be some that are worth trying, and I would like to learn about alternate tunings.

After that I went through three songs. The main takeaway from Good Vibrations is that I can’t strum nearly fast enough: I could mostly keep up with that one, but I got the impression that Expert will be noticeably harder on that song, and it’s only Apprentice level!

Outer Space was rather interesting: like Yoshimi, it has a lot of chord strumming, with a bit less repetition of individual chords this time but with more variations in the chords themselves. In particular, G chords in the song had you playing the third fret on the B string, which I’m a little less used to but which makes for a pleasant transition coming out of a D chord, since you can leave your ring finger in the same place. Also, in the last of a sequence of G chords, they frequently dropped the bottom string down to an F#, which took a while to get used to but which sounded good once I got it right. (I appreciate the hint of polyphony instead of chords or single notes.) Eventually, I got to where I could get to a 4x multiplier on that song, which I was rather proud of; coming out of that chord success, I went back to try Yoshimi again, and I’m still not very good on that song, though.

The third song I went through was Break on Through (To the Other Side). That’s the first song with Hammer On / Pull Offs; I could play them reliably with the mute on, but when I plugged in the guitar, they were barely audible. So clearly I need to work on my technique there, to make them a lot crisper.

Playing through my DLC backlog reminded me that I had a bunch of Billy Joel DLC that I hadn’t gone through seriously on Pro Keys, so I decided to start chipping away on that instead of continuing with Pro Guitar. Which was a good idea: I’d forgotten how big his first DLC pack was, and I had 18 songs waiting for me!

Of which I made it through a grand total of two. In Captain Jack, I scored over 700,000 points, which wasn’t enough to put me in the top 1%; lots of chords in that song! I made enough mistakes that it looked like it’s possible to make over a million points on that song, which a look at the leaderboard confirms; the leaderboard also shows that I’m in 42nd place, I guess not that many people have played it. The other one I tried was I Go to Extremes, which was rather harder, I spent more than an hour on that song alone and there was still room for improvement at the end.

I don’t think my Pro Keys skills have slipped too much, at least, but I have another 16 Billy Joel songs to go, and there’s some non-Billy Joel DLC with keyboard parts that I should give a try on as well. So I’ll probably be trying to find time for both Pro Guitar and Pro Keys for the next month or two.

I only got in one Rock Band session this week, but it was a good one. I repeated the hardest of the barre chord lessons and all of the scale lessons, this time trying to use hopos on the chromatic scale one, and they went well. And I managed to make it through the remaining of the Hard lessons, on arpeggiation within chords, which was another fun one. (I’m sure I could have made it through it earlier, I was just tired when I’d tried it before. Though my increased fluency in shifting between chords certainly helped.)

After that, I went back into the songs, continuing through the Warmup songs. Which I was expecting to have to spend a fair amount of time on, but so far that hasn’t materialized: quite to my surprise, I made it through the remaining nine Warmup songs! I’m sure the time I’ve spent on barre chord lessons helped, as did the fact that many of the Warmup songs don’t actually use barre chords (preferring instead power chords or single notes), but for whatever reason, I went through each song at most twice with the mute on and once plugged into the amp (except for one or two songs using an alternate tuning, which I haven’t yet tried to figure out), and felt satisfied enough to move on at the end of that.

I’d been thinking that I’d want to spend a lot of time going through the Hard lessons over and over again. And while I’m still planning to return to them, it’s also looking like the difficulty curve even on Hard might be shallow enough that I can improve my barre chord skills by spending most of my time playing through actual songs. That would be pleasant if it remains true (which may well not be the case!): the lessons are well done, but playing through real songs is more fun.

I still sound pretty bad on the real songs, though. Some of that is because there is (copious!) room for improvement in my skills, but some is that playing a stripped down version of an easy song doesn’t sound that great. We’ll see how that changes when the songs get harder, maybe I’ll get inspired to put in more time on individual songs then.

And there was one song that was a total outlier, namely Yoshimi Battles the Pink Robots. When I got to it in the menu, I noted that Dan Bruno‘s score was over 600,000 points, which is extremely high for any song, let alone a warmup song! What turns out to be going on there is that it’s full of chords, and you have to play them pretty quickly; the chords are all easy ones to play (though you shift between five or six different ones, three-chord music it isn’t), but there’s a lot of notes to play (if you’re Dan) or to miss a fair portion of (if you’re me).

It’s also the first song where I haven’t been able to do the training sections accurately. They’re long, they both have multiple chord changes and individual chords that are repeated a lot, and that adds up to something that I am so far unable to hit 100% on. (Or, I seem to recall, get particularly close to.) It’s also a song where I’m feeling more dubious than normal about the strum detection and the string mute; the flip side is that it’s a song that’s relatively rewarding to try to play well plugged in, I think. I’m not currently planning to return to it to try to get better, but that would be worth considering.

The main bit of Pro Guitar excitement this week: I bought an amp! At the recommendation of a guitarist friend of mine, I went for a Fender Vibro Champ XD, and I have no regrets so far: I like the way it sounds, and it allows for what seems to me a decent amount of experimentation, which will help me get a better idea of the possibilities that are out there when/if I decide to move up to something fancier.

And it turns out that, indeed, playing Pro Guitar on Hard is good preparation for the real thing! I’ve only gone through three songs on Hard so far, but in all cases, when I played them plugged in I could definitely hear the music. Flourishes were missing, so I clearly have something to look forward to when I learn those songs on Expert, but buying the amp when I hit Hard was definitely the right choice. (And, conversely, I tried out a few songs on Medium with the amp on, and it just wasn’t the same.)

It was also very educational from a musical point of view. Most notably in learning how notes sustain on an electric guitar: when you’re playing in game, the game is in complete control of that, and when you play unmuted but not plugged in, notes don’t sustain very well. When I’m plugged in, though, notes sustain for a quite long time. In particular, it was quickly clear that I need to mute notes that I don’t want to sustain; for now, I’m doing that with the pick, but I should play around with other possible ways to mute.

That also raises the question: what should I do when the game gives me notes that are marked as muted? The game doesn’t really care, though it gives me advice to not hold down the strings very much; I’ll need to experiment with the different sounds I can produce with that. And hammers-on and pull-offs are much more real to me now: I’d been playing them for years without really believing that they could work (at some subconscious level, of course I trust Harmonix to represent music accurately within the game’s constraints), but it turns out that, yup, they work well! Though that is very much an area which I need to explore more, in order to figure out how to get notes to sustain best across transitions.

The amp aside, though, I’ve only played very little this week. We have guests in town (summer being when grandparents come to visit their granddaughter), and yesterday in particular was quite busy with brunch, a musical, and dinner. So I didn’t have time to learn any new songs; I did manage to put in most of an hour on practice mode, though.

And I would seem to be making progress. There are 10 barre chord lessons; the first four went rather smoothly, which isn’t something I’ve been able to say in the past, and I made it through the last of them for the first time. The open chord lessons also went well, so probably I’ll soon reduce my frequency of practicing those. (Or maybe not, it’s core muscle memory and the better I get the less time it will take for me to go through them!) I also finished the strumming pattern lessons for the first time; those, I wasn’t so impressed by (it wasn’t even clear which strings I was supposed to strum when or what mistake I had made in a given attempt), and I don’t plan to return to them particularly often. I didn’t have time to go through the arpeggiation lessons (which I haven’t yet finished) or the scale lessons (which I have finished but plan to return to frequently).

I’ll happily dive in full force next weekend, though. My current plan is to go through songs like I have been and then play each song a couple of times unmuted and plugged in to see what it sounds like. And I have no idea what my rate of progress will be; I’m sure it will be slower than on Medium (both because of the difficulty and because I’ll be wanting to listen to myself), but how much has yet to be determined.

As expected, I finished the last eight Medium Pro Guitar songs this week. Which, honestly, weren’t my favorite songs: too many guitar solos with the vast majority of the notes missing, and which I actually don’t think I would have enjoyed that much even if the notes had been there. Still, there were some fun bits. And still: I’m done with Medium Pro Guitar!

Which means that the fun is about to start. Which I dipped into today, making it about halfway through the barre chords training; it turns out that “fun” is another word for “my left hand is hurting in new and different ways”. Fortunately, my twitter feed is filled with people named Dan who give excellent guitar advice, but clearly I have my work cut out for me.

I have more to say, but I think I’ll leave that for my other blog. I imagine that I’ll spend the next few weeks going through tutorials, hopefully finding time to practice barre chords (without the game, just playing the guitar unmuted) most evenings during the week as well. And I’ll probably dip into a couple of actual songs, just to see what those are like.

I finished a bunch of songs last weekend, but with Liesl’s father in town, I didn’t expect to make much Pro Guitar progress this weekend. But actually it’s been surprisingly productive: I went through three songs while Liesl was picking him up from the airport, and another nine songs today.

That brought me through the end of Nightmare, and through the first four songs of Impossible. So only 8 songs left on Medium; I should definitely finish it up next weekend, and I might even start the next round of training! Which makes me happy, both because I’m really looking forward to Hard, and because Medium is getting to be a bit boring. Not always—some of the songs are helping me get more fluent at moving between chords (and teaching me how much work I have ahead of me before I get good at barre chords)—but, at this difficulty level, many of the songs are about the solos. Which I don’t really enjoy: I don’t particularly enjoy playing high up on the neck of the guitar, and there are also so many notes missing in the solos on Medium that you don’t really feel like you’re doing much.

I also hit 5 million career score for Pro Guitar, which is a nice milestone. And, bizarrely, I was in the top 2% on Bohemian Rhapsody; I didn’t do a spectacular job or anything, so my only hypothesis is that not many people must be making it through the Impossible songs on Medium yet. Or maybe that song is so boring on guitar (so much waiting around!) that not many people even bother to try it…

This weekend, Liesl and Miranda were out much of the day on Saturday, and I took the excuse to play a bunch of Pro Guitar; and I did a fair amount today as well. The result is my most productive weekend in ages: I went through 20 songs, finishing off the Moderate tier, completing all of Challenging, and starting on Nightmare.

The songs are fairly routine by now: I’m still going through training mode, but it’s been a while since I needed to play through a song more than twice after that to feel that I was doing a credible job at it, and there were a couple of songs this week that I only played through a single time. (Which, admittedly, had as much to do with my not liking those songs very much; still, I did a decent job on that single playthrough!) So I’ve learned most of what I’m going to get out of Medium, I think: two note chords don’t hold much fear for me, at least at the speeds that Medium has me play them at.

Most, but not everything, because some of the songs definitely had their twists. There were a few odd three-note chords that the game threw at me, and there were more two note chords on the same fret than I’d previously been used to, most of which I actually tried to play as barre chords instead of using separate fingers to hold down the two strings.

And then there was Killing Loneliness, which had one section (the first or second bit, I can’t remember) that was by far the hardest thing I’d seen in training mode. It was reasonably long, moved reasonably quickly, and while the chords were (almost?) all two-note chords, the progression was such that you basically no choice but to play them as barre chords, even when the two notes were on different frets. Plus a bit of moving between strings, just to keep you on your toes. I was floored by it when I first saw it, but after going through it four or five times, it was pretty clear what the best approach was—it just happened to be an approach that I wasn’t used to taking! After another 10 or so goes, though, I was playing through it fairly solidly, and when I hit that section in the full song (it occurred fairly often, as it turned out), I managed to play it correctly live as well.

That felt really good: a nice bridge to what Hard is going to be like, I imagine. I also see what people mean when they complain about their wrist aching when learning barre chords, because my wrist hurt some after that song. And my fingertips continue to hurt, but it was manageable even this weekend, and I don’t expect to play longer stretches for the foreseeable future, so I’m over the worst there, I think. My back also hurt some: I think I was keeping pretty good posture, but the guitar is heavy enough for me to notice it, and the sofa I’m playing on doesn’t offer good support.

Actually, my body positioning is something I’ve been wondering about: I suspect that, as I play barre chords more, I’ll want to have the neck angled up more than I have been, and maybe I should shorten the strap a bit. My next door neighbor is a guitar teacher: at some point, I may ask her for a one-off lesson, for body positioning help and also for suggestions of exercises to play. (Chords, scales, etc.)

Only 20 songs left, and then on to Hard! Despite my progress this week, I won’t make it through all those songs next weekend, because we have a guest in town, and it wouldn’t shock me if I had three more weeks of Medium ahead of me. But the end of Medium is in sight, and the beginning of what I imagine will feel a lot more like real guitar playing. (I’m planning to buy an amp soon after I hit Hard.)

I was wondering how many people had been diving into Pro Guitar. The answer, judging from the leaderboards, seems to be “not many”: I’m actually in 724th place right now, which seems shockingly high to me. And my scores are a lot higher on Medium than they were on Easy, so I imagine Hard will be a similar jump: in fact, it looks to me right now that doing a good job on most of the songs on Hard would be enough to put me in the top 1%. (There are 284 people in the top 1%, so I’m comfortably within the top 3% already.) I’m assuming that means that there are 25,000–30,000 Pro Guitar controllers out there, though maybe there’s a good-sized population that doesn’t show up on the leaderboards? (You don’t need an account to show up there, though.) Who knows, maybe I’ll end up monitoring the Pro Guitar leaderboards the way I monitored Pro Keys. (I’m a little surprised to see that I’m still in 40th place on the latter.)

Not too much to say today. I was worried I wouldn’t have a lot of time to play this weekend—yesterday was a bit busy, and I participated in a podcast recording today—but I got a decent amount in today, making it through most of the Moderate songs. And the guitar continues to work well, so the cable was definitely the problem.

Some of which were surprisingly easy—I guess Walk of Life must be a lot harder on the higher difficulties? Though I can’t quite hear how; also, I’d never noticed before that some of the early chords in that song come in a touch late, I was glad the game didn’t try to force me to do that. Other songs were rather more difficult: I’m having to jump around a bit more, and sometimes chords are coming a little closer on each other’s tails.

Also, one of the songs made me play barre chords: while it only gave me two notes at a time, it alternated between the lowest two and highest two strings, so treating that as part of a single barre chord was clearly the way to go. Which didn’t go too badly, actually, but clearly it’s something I need to work on: by the end of that song, I wasn’t reliably holding down the notes in the middle of the chord, and I got the feeling that my left hand was working too hard.

My other random observation of the day: so far, I’m finding big rock endings super unsatisfying on the pro guitar—for whatever reason, the realism of the instrument rather destroys the illusion for me. Maybe that will get better as my guitar skills improve, however.

Anyways, I certainly have challenges waiting for me when I reach Hard, judging from how the barre chords and faster sections went today. Which is a good thing! And if Medium holds my interest through the higher difficulty tiers better than Easy did, that’s all to the good as well.

After last week, I was really frustrated at my guitar’s flaking out. I did have one hypothesis that was easy to test, however, namely that I had a bad MIDI cable. So I went out yesterday, bought a new one, plugged it in, and held my breath.

And it worked! The guitar performed flawlessly yesterday; today there was one instance where it thought that the lower strings were still strumming, but that went away the next time I actually strummed. And I’d seen that happen occasionally even before my old MIDI cable went south, so I’m not worried about that symptom.

And when the guitar works, it really works well: I was messing up fairly often, and it was doing a very nice job of informing me! But I had a great time going through songs this weekend; yesterday, I felt that I was making real progress, and in particular my right hand is noticeably better at finding strings than it was a couple of weeks ago.

Today, I finished off the last few Solid songs and moved on to the Moderate songs: they were quite a bit harder than yesterday’s songs, with faster movements between chords on different strings and with more unusual chords thrown into the mix. (And, alas, I was less disciplined today than I had been about not looking at my hands: too many large leaps for me to make.) When I was playing on Easy, the songs leveled off in difficulty part of the way through, and I was curious if the same thing would happen on Medium; maybe it will, but it hasn’t happened yet.

My fingers felt a little odd yesterday: they weren’t hurting, but my calluses felt strangely soft, to the extent that the strings almost got stuck in them at times. I’m choosing to interpret that as meaning that I haven’t been playing Rock Band enough; I was certainly glad to get in practice both days this weekend. Especially because it’s taking a lot longer to go through each song on Medium than it did on Easy: if I put in enough time, I can barely make it through through a tier over a weekend, but often recently I haven’t managed that. Admittedly, that had as much to do with hardware problems as anything, but still: I need to focus if I’m going to make it to Hard in the first half of the summer. (Which is where, I assume, I’m going to start feeling like I’m really playing music; I’m planning to buy an amp when I get to that level to hear what I sound like.)

Good times.

Last week, I started running into some very annoying controller problems. I thought the issue was at least partly due to battery problems, but the guitar flaked out again a few songs later. Right as I was giving up in frustration, I noticed the MIDI reset command, so I tried that, but I was too frazzled to see what effect it had had.

And when I started playing this week, the guitar worked great! I finished off the Apprentice-level songs at Medium difficulty; I’m sure you’re tired of hearing this, but this mode in this game is the most fascinating thing I’ve ever played. My main accomplishment this week is that my right hand seems to have gotten a lot better at selecting the correct strings: a couple of the songs had be alternating between strings that were two apart, and that went quite well, and even when there were less regular patterns, my right hand was doing surprisingly well at jumping to the correct string, even for the middle strings.

Unfortunately, when I started on the Solid songs, the guitar started flaking out again. It would claim frets were perpetually held down, or it wouldn’t register frets that I was pressing down, or it would refuse to register any strums at all. The MIDI adapter was flashing an SOS pattern, so clearly it was also pretty confused as to what was going on, but doing a MIDI reset on the guitar didn’t work.

So I’m pretty frustrated. Up until now, I’d been really impressed by the Squier: what it’s doing seems to me to be quite complicated, but it works amazingly well. And much of the time this weekend, it was also working amazingly well! But when it doesn’t work, it really doesn’t work.

I had been assuming this meant that my guitar is a lemon. And that may well be the case; a few forum posts suggest that I might have a bad MIDI cable, however. (Which does seem consistent with my symptoms.) Fortunately, I have a spare one of those around, so I’ll try that next weekend. If that doesn’t work, I guess I’ll have to figure out where my nearest Fender repair center is? Which I’m not looking forward to, because of the intermittent nature of the problem: that kind of thing can easily lead to multiple rounds of guitars being returned as allegedly fixed with the problem continuing to crop up at home…